X-Static is the eighth studio album by American pop music duo Daryl Hall & John Oates. The album was released in October of 1979, by RCA Records. Buddah Records re-released the album with two bonus tracks in 2000. 'Wait for Me' reached #18 on the Billboard charts and won a BMI airplay award. DARYL HALL & JOHN OATES - X-Static (CD, 2000, Buddha Records) Near Mint 4 out of 5 stars (1) 1 product ratings - DARYL HALL & JOHN OATES - X-Static (CD, 2000, Buddha Records) Near Mint. Hall & Oates released a song titled 'Bigger Than Both of Us' on their Beauty on a Back Street album one year later. 'Do What You Want, Be What You Are' was covered by The Dramatics in 1979. Jul 13, 2017 - HALL And OATES - Past Times Behind LP 71 72 76 w Whole Oates LP. W Along The Red Lodge LP 78 w Livetime LP 78 w X-Static LP 79 w. X-Static Hall & Oates. The Woman Comes and Goes 2. Portable Radio 4. All You Want Is Heaven 5. Who Said the World Was Fair. May 25, 2019 Hall & Oates Tour; Hall And Oates Concert Review; Feb 2, 2018 - Hall and Oates have sold an estimated 40 million records throughout. Greatest Hits – Rock'n Soul Part 1.rar – 91.1 MB Greatest Hits Live.rar. Livetime Beauty On A Back Street Along The Red Ledge X-Static Voices.
- X-static Clothing
- X-static Silver Fiber
- Hall And Oates X Static Rarity
- Hall And Oates X Static Rare
- X-static
Feb 2, 2018 - Hall and Oates have sold an estimated 40 million records throughout. Greatest Hits – Rock'n Soul Part 1.rar – 91.1 MB Greatest Hits Live.rar. Livetime Beauty On A Back Street Along The Red Ledge X-Static Voices. X-Static Hall & Oates. Released 1979. X-Static Tracklist. The Woman Comes and Goes Lyrics. Wait for Me Lyrics. Portable Radio Lyrics. All You Want Is.
Daryl Hall & John Oates – Voices (1980) [MFSL 2013]
PS3 Rip ISO SACD DSD64 2.0 > 1-bit/2.8224 MHz 44:02 minutes Scans included 1,78 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz Scans included 880 MB
Mobile Fidelity Sound Lab # UDSACD 2114 Genre: Rock
At the close of the ’70s, Hall & Oates began inching toward a sleek, modern sound, partially inspired by the thriving punk and new wave scene and partially inspired by Daryl Hall’s solo debut, Sacred Songs, a surprising and successful collaboration with art rock legend Robert Fripp. While 1979’s X-Static found the duo sketching out this pop/soul/new wave fusion, it didn’t come into fruition until 1980’s Voices, which was their creative and commercial breakthrough. Essentially, Voices unveils the version of Hall & Oates that made them the most successful duo in pop history, the version that ruled the charts for the first half of the ’80s. During the ’70s, Hall & Oates drifted from folky singer/songwriters to blue-eyed soulmen, with the emphasis shifting on each record. On Voices, they place their pop craftsmanship front and center, and their production (assisted by engineer/mixer Neil Kernon) is clean, spacious, sleek, and stylish, clearly inspired by new wave yet melodic and polished enough for the mainstream. Thanks to the singles “Kiss on My List” and “You Make My Dreams” (and, to a lesser extent, their remake of the Righteous Brothers’ “You’ve Lost That Lovin’ Feeling” and the original version of the heartbreaking ballad “Everytime You Go Away,” later popularized by Paul Young), the mainstream enthusiastically embraced Hall & Oates, and the ubiquitousness of these hits obscures the odder, edgier elements of Voices, whether it’s the rushed, paranoid “United State,” tense “Gotta Lotta Nerve (Perfect Perfect),” the superb Elvis Costello-styled “Big Kids,” the postmodern doo wop tribute “Diddy Doo Wop (I Hear the Voices),” or even John Oates’ goofy “Africa.” Apart from the latter, these are the foundation of the album, the proof that the duo wasn’t merely a stellar singles act, but expert craftsmen as writers and record-makers. The next few albums were bigger hits, but they topped the charts on the momentum created by Voices, and it still stands as one of their great records.
Tracklist:
01. How Does It Feel To Be Back
02. Big Kids
03. United State
04. Hard To Be In Love With You
05. Kiss On My List
06. Gotta Lotta Nerve (Perfect Perfect)
07. You’ve Lost That Lovin’ Feeling
08. You Make My Dreams
09. Everytime You Go Away
10. Africa
11. Diddy Doo Wop (I Hear The Voices)
Mastered by Rob LoVerde at Mobile Fidelity Sound Lab, Sebastopol, CA.
SACD ISO
mqs.link_HallatesVices1980MFSL2013SACDIS.part1.rar
mqs.link_HallatesVices1980MFSL2013SACDIS.part2.rar
FLAC 24bit/88,2kHz
There's one thing wrong with The Very Best of Daryl Hall & John Oates, and it's minor -- the promotional 12' mix of 'Adult Education' is included in favor of the 7' version. This isn't a big deal and it doesn't mar what is the best overview of Hall & Oates' RCA years, the era when they became the biggest-selling duo in the history of rock. If the Atlantic years were more adventurous, dabbling in folk and album rock, The Very Best of demonstrates the virtues of consistency, since these blue-eyed soul songs rank among the very finest singles (and songs) of their time. And Hall & Oates weren't unadventurous, either, since they deftly blended elements of new wave, contemporary soul, and soft rock into their signature sound. Most impressively, smaller hits like 'Wait for Me' and the splendid 'Did It in a Minute' (easily one of the greatest songs they ever cut) more than hold their own alongside familiar items like 'Sara Smile,' 'You Make My Dreams,' 'Private Eyes,' and 'Maneater.' Hall & Oates may not have been hip, but they made addictive soul-pop that not only rocketed to the top of the charts but has stood the test of time as some of the best pop made during the early '80s.
Hall & Oates Tour
Title/Composer | Performer | Time |
---|---|---|
1 | Sara Smile | 3:10 |
2 | 2:27 | |
3 | 3:46 | |
4 | 4:09 | |
5 | 4:39 | |
6 | 4:25 | |
7 | You Make My Dreams | 3:10 |
8 | Janna Allen / Sara Allen / Daryl Hall / Warren Pash | 3:40 |
9 | Janna Allen / Sara Allen / Daryl Hall / John Oates | 5:11 |
10 | Janna Allen / Sara Allen / Daryl Hall / John Oates | 3:40 |
11 | 4:34 | |
12 | 4:20 | |
13 | Tim Cross / Rick Fenn / Mike Frye / Mike Oldfield / Morris Pert / Maggie Reilly | 3:27 |
14 | 4:20 | |
15 | Sara Allen / Daryl Hall / John Oates | 4:37 |
16 | 4:12 | |
17 | 5:35 | |
18 | 5:26 |
Hall And Oates Concert Review
blue highlight denotes track pickJump to navigationJump to searchBigger Than Both of Us | ||||
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Studio album by | ||||
Released | August 1976 | |||
Length | 34:51 | |||
Label | RCA Records | |||
Producer | Christopher Bond | |||
Hall & Oates chronology | ||||
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Singles from Bigger Than Both of Us |
Bigger Than Both of UsBiohazard umbrella chronicles jpn iso wii downloads. is the fifth studio album by American pop music duo Daryl Hall and John Oates. The album was released in August 1976, by RCA Records. Youtube rihanna pour it up. The album included the first of their six #1 singles on the BillboardHot 100, 'Rich Girl'. Hall & Oates released a song titled 'Bigger Than Both of Us' on their Beauty on a Back Street album one year later. 'Do What You Want, Be What You Are' was covered by The Dramatics in 1979.
Jul 13, 2017 - HALL And OATES - Past Times Behind LP 71 72 76 w Whole Oates LP. W Along The Red Lodge LP 78 w Livetime LP 78 w X-Static LP 79 w. X-Static is the eighth studio album by Daryl Hall & John Oates, released in 1979 by RCA Records.
Hall And Oates Personal Life
Professional ratings | |
---|---|
Review scores | |
Source | Rating |
AllMusic | [1] |
Christgau's Record Guide | C+[2] |
X-static Clothing
Track listing[edit]
Side one | |||
---|---|---|---|
No. | Title | Writer(s) | Length |
1. | 'Back Together Again' | John Oates | 3:25 |
2. | 'Rich Girl' | Daryl Hall | 2:24 |
3. | 'Crazy Eyes' | Oates | 3:03 |
4. | 'Do What You Want, Be What You Are' | Hall, Oates | 4:33 |
5. | 'Kerry' | Stephen Dees, Hall | 3:50 |
Side two | |||
---|---|---|---|
No. | Title | Writer(s) | Length |
6. | 'London Luck & Love' | Sara Allen, Hall, Oates | 3:01 |
7. | 'Room to Breathe' | Allen, Hall | 4:13 |
8. | 'You'll Never Learn' | Hall, Oates | 4:14 |
9. | 'Falling' | Hall | 6:12 |
Personnel[edit]
X-static Silver Fiber
- Daryl Hall – lead vocals (except tracks 1, 3 and 8), backing vocals, keyboards, mandola, synthesizer, arrangements
- John Oates – lead vocals on tracks 1, 3 and 8, backing vocals, rhythm guitars, harmonica, arrangements
- Christopher Bond – lead guitar, keyboards, synthesizer, arrangements, string and horn arrangements
- Tom Hensley – acoustic piano
- Scotty Edwards – bass
- Leland Sklar – bass
- Jim Gordon – drums
- Ed Greene – drums
- Slugger Blue – 'G kick' drums on 'You'll Never Learn'
- Gary Coleman – percussion
- Tom Scott – flute, saxophone, lyricon
- Charles DeChant – saxophone
- James Getzoff – concertmaster, conductor
- Stephen Dees – co-arrangements on 'Kerry'
Production[edit]
Hall And Oates X Static Rarity
- Produced by Christopher Bond
- Engineered and Mixed by John Arrias and John Mills
- Strings engineered by Armin Steiner
- Recorded at Cherokee Studios (Hollywood, CA).
- Mixed at Sound Labs (Hollywood, CA).
- Mastered by Allen Zentz at Allen Zentz Mastering (San Clemente, CA).
- Cover Artwork – Ron Barry
- Cover Concept and Design – Daryl Hall
- Cover Photo – Gribbitt Photography
- Insert Photo – Kathy Hohl and Sam Emmerson
References[edit]
- ^Stephen Thomas Erlewine. 'Bigger Than Both of Us - Daryl Hall & John Oates'. AllMusic. Retrieved 2018-09-03.
- ^Christgau, Robert (1981). 'Consumer Guide '70s: H'. Christgau's Record Guide: Rock Albums of the Seventies. Ticknor & Fields. ISBN089919026X. Retrieved February 24, 2019 – via robertchristgau.com.
After coming up with a sleek and soulful template on Along the Red Ledge, Hall & Oates took a temporary detour on X-Static, concentrating on disco rhythms. A few tracks were successful -- in particular 'Wait for Me' -- but the record sounds unfocused and misguided.
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Hall And Oates X Static Rare
Title/Composer | Performer | Time |
---|---|---|
1 | 3:49 | |
2 | 4:08 | |
3 | 4:46 | |
4 | 4:03 | |
5 | 4:10 | |
6 | 6:38 | |
7 | 3:46 | |
8 | 3:57 | |
9 | 1:21 | |
10 | Sara Allen / Daryl Hall / John Oates | 3:35 |
11 | 3:16 | |
12 | 2:53 |